Evenimente

Musica Academica -scientific  journal 
Volume 1, Issue 1 December 2024

Musica Academica - scientific journal

No. I/2024

DOI: 10.61215/MA.2024.vol.1.iss.1

Full Issue

BIOGRAPHICAL AND CREATION ASPECTS OF THE SWEDISH FEMALE COMPOSERS DURING THE ROMANTIC PERIOD/ASPECTE BIOGRAFICE ȘI DE CREAȚIE ALE COMPOZITOARELOR DE ORIGINE SUEDEZĂ DIN PERIOADA ROMANTISMULUI

BIANCA-TEODORA BĂILĂ
         
AGE CHARACTERISTICS AND PREFERENCES OF PRIMARY SCHOOL STUDENTS - STARTING POINTS IN THE CREATION OF DIDACTIC MUSICAL ACTIVITIES/CARACTERISTICILE DE VÂRSTĂ ȘI PREFERINȚELE ȘCOLARILOR MICI - PUNCTE DE PORNIRE ÎN CREAREA ACTIVITĂȚILOR DIDACTICE MUZICALE

BIANCA-PATRICIA DAMIAN-BICĂZAN

TRENULE FOR VIOLA AND ȚAMBAL BY IGOR IACHIMCIUC: COMPOSITIONAL AND STYLISTIC PARTICULARITIES/TRENULE PENTRU VIOLĂ ȘI ȚAMBAL DE IGOR IACHIMCIUC: PARTICULARITĂȚI COMPOZIȚIONALE ȘI STILISTICE

ECATERINA GÎRBU 

MUSICAL NOTATION IN THE REPERTORY OF THE ARS POETICA ENSEMBLE: REFLECTIONS ON CONTEMPORARY MUSIC FROM THE REPUBLIC OF MOLDOVA/NOTAȚIA MUZICALĂ ÎN LUCRĂRILE DIN REPERTORIUL ANSAMBLULUI ARS POETICA: REFLEXII ASUPRA MUZICII DIN REPUBLICA MOLDOVA 

CORINA ȚACA

STYLISTIC AND COMPOSITIONAL PARTICULIARITIES IN THE SONATA FOR FLUTE AND PIANO BY SORIN LERESCU/PARTICULARITĂȚILE STILISTICE ȘI COMPOZIȚIONALE ÎN SONATA PENTRU FLAUT ȘI PIAN DE SORIN LERESCU


MARIA SERBINOV 

HISTORICAL, SEMANTIC AND INTERPRETATIVE ASPECTS OF THE ECHOES OF THE FORESTS CYCLE FOR VIOLIN AND PIANO SIGNED BY ALEXANDR MULEAR ASPECTUL ISTORIC, SEMANTIC ȘI INTERPRETATIV AL CICLULUI ECOUL CODRILOR PENTRU VIOARĂ ȘI PIAN SEMNAT DE ALEXANDR MULEAR

DANIELA TROCINEL

PSYCHO-NEURO-PHYSIOLOGICAL PROCESSES INVOLVED IN LISTENING TO MUSIC-MUSIC THERAPY / PROCESE PSIHO-NEURO-FIZIOLOGICE IMPLICATE ÎN AUDIEREA MUZICII-MUZICOTERAPIA

LILIANA SABOU – POP

ANALYSIS OF VIOLINIST'S PREFERENCES FOR THE USE OF ACCESSORIES/ANALIZA PREFERINȚELOR VIOLONIȘTILOR PENTRU UTILIZAREA ACCESORIILOR

REMUS GASPAR

Musica Academica - scientific  journal 
Volume 2, Issue 1, December 2025

 

Music, Meaning, and Method:

Intersections of Creativity and Analysis

DOI: https://doi.org/10.61215/MA.2025.vol.2.iss.1

Published in 12.12.2025

Full Issue

Articles

INSIDE THE COMPOSING PROCESS: THE MEANINGS OF CREATIVE STAGES AND THEIR INTERCONNECTIONS  

JURGITA VALČIKAITĖ-ŠIDLAUSKIENĖ -  full article

 

RESONANT NARRATIVES: THE POWER OF HYBRID COMPOSITION

JESSICA O’DONOGHUE - full article

 

BELLS AND BELL-RINGING: THE UNIQUENESS OF RACHMANINOFF’S COMPOSITIONAL STYLE

MARTINA KAMENSKA - full article

 

MUSORGSKIJ'S SENSORY JOURNEY: PICTURES AT AN EXHIBITION AS A KINAESTHETIC MUSICAL EKPHRASIS

SERENA ALLEGRA - full article

 

TRACING THE DEVELOPMENT OF SCHENKERIAN STUDIES IN JAPAN: A CHRONOLOGICAL ANALYSIS FROM INTRODUCTION TO EXPANSION

PENG ZIXUAN - full article

 

Musica Academica -scientific  journal

Volume 2, Issue 2, December 2025

 

Performance Studies and  Musicological Context:

From Historical Instruments to Modern Fusion

DOI:   https://doi.org/10.61215/MA.2025.vol.2.iss.2

Published in  12.12. 2025

Full Issue

 

Articles

IN THE SCORE, BETWEEN THE LINES: TECHNICAL CHALLENGES AND SUCCESSFUL STRATEGIES IN PERFORMING LIGETI’S CHORAL MUSIC WITH A NON-PROFESSIONAL CHOIR

MARINA ROSSI - full article

  

THE ROLE OF SELF-CONFIDENCE IN PERFORMANCE: REFLECTIONS ON NOA KAGEYAMA'S APPROACH IN THE CONTEXT OF TRAINING YOUNG PIANISTS 

ROXANA OTA - full article

 

THE OPERA COACH – A KEY FIGURE IN THE SUCCESS OF A STAGE PERFORMANCE

SILOȘI ANTOANELA ELENA - full article

 

THE SETTING OF THE BASSOON IN THE ORCHESTRAL BASSO IN COMPOSITIONS OF GIOVANNI ALBERTO RISTORI (1692-1753) 

KATHERINE WALPOLE - full article

 

EVIDENCE FOR MASTERY OF STYLE: BEYOND THE SUBJECTIVE

ROLYND DELLA SYLVAN - full article

 

 DJENT AND WORLD MUSIC IN TIGRAN HAMASYAN’S COMPOSITIONS. CONTEMPORANY TRENDS IN STYLISTIC FUSION.

ȘTEFANA AMARII (née Ciofu) - full article

 

 

Musica Academica - scientific  journal 
Volume 2, Issue 1, December 2025

 

Music, Meaning, and Method:

Intersections of Creativity and Analysis

DOI: https://doi.org/10.61215/MA.2025.vol.2.iss.1

Published in 12.12.2025

Full Issue

Articles

INSIDE THE COMPOSING PROCESS: THE MEANINGS OF CREATIVE STAGES AND THEIR INTERCONNECTIONS  

JURGITA VALČIKAITĖ-ŠIDLAUSKIENĖ -  full article

 

RESONANT NARRATIVES: THE POWER OF HYBRID COMPOSITION

JESSICA O’DONOGHUE - full article

 

BELLS AND BELL-RINGING: THE UNIQUENESS OF RACHMANINOFF’S COMPOSITIONAL STYLE

MARTINA KAMENSKA - full article

 

MUSORGSKIJ'S SENSORY JOURNEY: PICTURES AT AN EXHIBITION AS A KINAESTHETIC MUSICAL EKPHRASIS

SERENA ALLEGRA - full article

 

TRACING THE DEVELOPMENT OF SCHENKERIAN STUDIES IN JAPAN: A CHRONOLOGICAL ANALYSIS FROM INTRODUCTION TO EXPANSION

PENG ZIXUAN - full article

 

Musica Academica -scientific  journal

Volume 2, Issue 2, December 2025

 

Performance Studies and  Musicological Context:

From Historical Instruments to Modern Fusion

DOI:   https://doi.org/10.61215/MA.2025.vol.2.iss.2

Published in  12.12. 2025

Full Issue

 

Articles

IN THE SCORE, BETWEEN THE LINES: TECHNICAL CHALLENGES AND SUCCESSFUL STRATEGIES IN PERFORMING LIGETI’S CHORAL MUSIC WITH A NON-PROFESSIONAL CHOIR

MARINA ROSSI - full article

  

THE ROLE OF SELF-CONFIDENCE IN PERFORMANCE: REFLECTIONS ON NOA KAGEYAMA'S APPROACH IN THE CONTEXT OF TRAINING YOUNG PIANISTS 

ROXANA OTA - full article

 

THE OPERA COACH – A KEY FIGURE IN THE SUCCESS OF A STAGE PERFORMANCE

SILOȘI ANTOANELA ELENA - full article

 

THE SETTING OF THE BASSOON IN THE ORCHESTRAL BASSO IN COMPOSITIONS OF GIOVANNI ALBERTO RISTORI (1692-1753) 

KATHERINE WALPOLE - full article

 

EVIDENCE FOR MASTERY OF STYLE: BEYOND THE SUBJECTIVE

ROLYND DELLA SYLVAN - full article

 

 DJENT AND WORLD MUSIC IN TIGRAN HAMASYAN’S COMPOSITIONS. CONTEMPORANY TRENDS IN STYLISTIC FUSION.

ȘTEFANA AMARII (née Ciofu) - full article

 

 

Editorial Office: University of Oradea
Str. nr. 1, 410087 Oradea-Bihor
Phone: +40 259 408281
Email: This email address is being protected from spambots. You need JavaScript enabled to view it.
URL: https://doctorat.uoradea.ro/ro/evenimente2-7/399-musica-academica-scientific-journal

http://doi.org/10.61215/MA


About Musica Academica:
ISSN (print): 3061-5364
ISSN-L: 3061-5364
ISSN (on line):3090-9902
Subject: Musicology    
Language: Romanian/English
Publication Fees: None
Periodicity: Two/Year
Type of Publication: Scientific/Academic, Peer-Reviewed
Open Access: Yes (Fully Open Access)


Aims and Scope:
Musica Academica is a musicological research journal affiliated with the Doctoral School of Interdisciplinary Studies at the University of Oradea, Romania The journal’s main objective is to promote the dissemination of scientific and academic research in the field of music, including interdisciplinary approaches. Submissions are welcome from a wide range of thematic areas, including: music analysis, historical musicology, music theory, performance studies, music education, ethnomusicology and folklore, aesthetics, stylistics, composition, sociology/psychology of music, management/marketing studies, musical practice, music technology, and other lines of music research.

Submission:
Manuscripts should be submitted in Romanian or English (other languages may be considered) by email to: This email address is being protected from spambots. You need JavaScript enabled to view it.  
The deadline for submitting articles is June 1st and October 1st.
The format of the publication can be found in the “Instructions to Authors” section.  
Authors assume full responsibility for the authenticity and scientific accuracy of the submitted papers.

Privacy Statement:
The names and email addresses provided to this journal will be used exclusively for the journal’s stated purposes and will not be made available for any other use.
          
Open Access Policy:
All articles published in Musica Academica are fully open access, freely available to read, download, and share. Musica Academica does not charge authors any publication fees or article processing charges.

Deputy/Managing Editor/ Director editorial
Univ. Professor, PhD., habil., ROMEO RÎMBU, University of Oradea
Editor in chief/ Redactor șef
Univ. Professor, PhD., habil., MIRELA ȚÂRC, University of Oradea,
E mail: This email address is being protected from spambots. You need JavaScript enabled to view it., nr.1 University str.,Oradea, Bihor
Permanent editorial board/ Redactori
Univ. Assoc. prof LUMINIȚA-VIRGINIA BURCĂ University of Music Bucharest
Univ. Professor PhD habil. LAURA VERONICA DEMENESCU „Aurel Vlaicu” University of Arad
Univ. Assoc. prof. PhD. MĂDĂLINA HOTORAN, Emanuel University of Oradea



Revista Musica Academica - scientific journal ediția 2024
EDITORIAL BOARD/Colectiv editorial
Scientific Board/ Colectiv științific
Univ. Professor, PhD., Master of Arts, VICTORIA MELNIC, Academy of Music, Theater and Fine Arts, Faculty of Musical Art, Chișinău, Republic of Moldova
Univ. Professor, PhD., SVETLANA BADRAJAN, Academy of Music, Theaterand Fine Arts, Faculty of Musical Art, Chișinău, Republic of Moldova
Univ. Professor, PhD., habil., ELENA CHIRCEV,„Gh. Dima” National Academyof Music, Cluj-Napoca, Romania
Univ. Professor, PhD., habil., GABRIELA COCA, Babes –Bolyai University,Music Department of the Faculty of Reformed Theology and Music, Cluj-Napoca, Romania
Univ. Professor, PhD., CARMEN MIHĂESCU, Arts University of Târgu Mureș,Romania 
Univ. Professor, PhD., habil PETRUȚA-MARIA COROIU, Transilvania
University of Brașov, RomaniaUniv. Assoc. Prof., ION ARDEREANU, „Aurel Vlaicu” University of Arad, Romania
Deputy/Managing Editor/ Director editorial
Univ. Professor, PhD., habil., ROMEO RÎMBU, University of Oradea
Editor in chief/ Redactor șef
Univ. Professor, PhD., habil., MIRELA ȚÂRC, University of Oradea,
E mail: This email address is being protected from spambots. You need JavaScript enabled to view it., nr.1 University str.,Oradea, Bihor
Permanent editorial board/ Redactori
Univ. Assoc. prof LUMINIȚA-VIRGINIA BURCĂ University of Music Bucharest
Univ. Professor PhD habil. LAURA VERONICA DEMENESCU „Aurel Vlaicu” University of Arad
Univ. Assoc. prof. PhD. MĂDĂLINA HOTORAN, Emanuel University of Oradea

Peer Review Process:

Musica Academica employs a double-blind peer review system. Two music scholars from different universities will review the content of each submission without knowing the author's name or affiliation. The evaluation criteria are detailed in the "Reviewer's Guide." After review, the editor will send the reviewers' comments to the author. Accepted papers may be returned to the author for revisions. The author will be notified of the reviewers' and editors' decision regarding acceptance or rejection. Authors and reviewers remain anonymous to each other throughout the process.

Reviewer's Guide: Reviewers_Guide 

Instructions to authors: Musica_Academica_Author_Guidelines.pdf

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Musica Academica - Scientific Journal 2025

Indexing: The journal is in the process of indexing

 

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