Universitatea din Oradea

Musica Academica -scientific  journal 
Volume 2, Issue 1 December, 2025

Music, Meaning, and Method:

Intersections of Creativity and Analysis

DOI: https://doi.org/10.61215/MA/2025.vol.2.iss.1

Published in 12.12.2025

Full Issue

Articles

INSIDE THE COMPOSING PROCESS: THE MEANINGS OF CREATIVE STAGES AND THEIR INTERCONNECTIONS  

 

JURGITA VALČIKAITĖ-ŠIDLAUSKIENĖ

RESONANT NARRATIVES: THE POWER OF HYBRID COMPOSITION

JESSICA O’DONOGHUE

 

BELLS AND BELL-RINGING: THE UNIQUENESS OF RACHMANINOFF’S COMPOSITIONAL STYLE

 

MARTINA KAMENSKA  

 

MUSORGSKIJ'S SENSORY JOURNEY: PICTURES AT AN EXHIBITION AS A KINAESTHETIC MUSICAL EKPHRASIS

SERENA ALLEGRA

TRACING THE DEVELOPMENT OF SCHENKERIAN STUDIES IN JAPAN: A CHRONOLOGICAL ANALYSIS FROM INTRODUCTION TO EXPANSION

PENG ZIXUAN

 

Musica Academica -scientific  journal

Volume 2, Issue 2 December, 2025

Performance Studies and  Musicological Context:

From Historical Instruments to Modern Fusion

DOI:   https://doi.org/10.61215/MA/2025.vol.2.iss.2

Published in  12.12. 2025

Full Issue

 

Articles

IN THE SCORE, BETWEEN THE LINES: TECHNICAL CHALLENGES AND SUCCESSFUL STRATEGIES IN PERFORMING LIGETI’S CHORAL MUSIC WITH A NON-PROFESSIONAL CHOIR

 

MARINA ROSSI

  

THE ROLE OF SELF-CONFIDENCE IN PERFORMANCE: REFLECTIONS ON NOA KAGEYAMA'S APPROACH IN THE CONTEXT OF TRAINING YOUNG PIANISTS

 

ROXANA OTA

 

THE OPERA COACH – A KEY FIGURE IN THE SUCCESS OF A STAGE PERFORMANCE

 

SILOȘI ANTOANELA ELENA

 

THE SETTING OF THE BASSOON IN THE ORCHESTRAL BASSO IN COMPOSITIONS OF GIOVANNI ALBERTO RISTORI (1692-1753)

 

KATHERINE WALPOLE

 

EVIDENCE FOR MASTERY OF STYLE: BEYOND THE SUBJECTIVE

ROLYND DELLA SYLVAN

 

 DJENT AND WORLD MUSIC IN TIGRAN HAMASYAN’S COMPOSITIONS. CONTEMPORANY TRENDS IN STYLISTIC FUSION.

 

ȘTEFANA AMARII (née Ciofu)

 

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